Ellevator w/Basement Revolver • Dec 13

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ELLEVATOR with BASEMENT REVOLVER
Thursday December 13, 2018
Doors 7:00PM, Show 8:00PM
Tickets: $15 (+SC) advance • 19+
>> BUY TICKETS HERE <<

Good music seems instantaneous: a decisive rush of expression and dopamine. Hamilton, Ontario’s Ellevator capture that direct hit of immediacy, with a closer listen revealing the meticulous design of their muscular pop songs. Frontwoman Nabi Sue Bersche delivers raw lyricism with quiet power. Her nimble melodies anchor the electric hooks and cinematic timbres Ellevator has refined on countless stages. Their striking debut EP – recorded in Hamilton with Michael Keire (Arkells, The Dirty Nil, Wildlife) – is set to be released in the Spring of 2018 by Arts & Crafts. Brick by brick, Ellevator has built an international reputation as a band to watch, and are poised to break new ground in 2018. Formerly known as The Medicine Hat, Ellevator is Mike Boyd, Elliott Gwynne, Nabi Sue Bersche, and Tyler Bersche.

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Heavy Eyes is the debut album from Canadian indie-rock trio Basement Revolver. There’s an air of weariness pervading the album, with the sleepy title Heavy Eyes summing up a general exhaustion right down to the bone, as well as hinting at a heavier direction as they deftly merge 90s infused indie rock with fuzzy dreamy pop and poignant, yearning lyrics. Unable to disguise the emotion in her voice, songwriter Chrisy Hurn shares intimate stories and personal wounds from her past, revealing a deeply affecting and rewarding set of songs. Bringing together the talents of Chrisy Hurn (vocals, guitar), Nimal Agalawatte (bass, synth) and Brandon Munro (drums), the band hail from Hamilton, Ontario and were named Basement Revolver due to Chrisy’s basement apartment, rather than any trigger happy leanings. Their ascent to the spotlight has been a steady trajectory, capitalising on the success of their debut single “Johnny” in 2016. The band has racked up over one million plays on Spotify across their first two EPs. To record their debut full-length, the band returned to local studio TAPE (Memoryhouse, Dirty Nil, Edgar Breau), where they had recorded their first two EPs. They had build up a solid relationship with producers Adam Bentley and Jordan Mitchell, as they continued to hone their signature sound.